Guitar / Ensemble. Magnus Andersson has long been active in the contemporary music field, and has played a significant role in the creation of the modern guitar repertoire. He studied at the Trinity College of Music, London, and at the Viotti Music Academy in Vercelli, Italy.

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Ensemble, Composer Performer. Roberto Fabbriciani, flutist and composer, was born in Arezzo. Original interpreter and versatile artist, Roberto Fabbriciani has innovated flute technique, multiplying through personal research the instrument’s sonorous possibilities.

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Sound director, computer music researcher, and live electronics interpreter, Alvise Vidolin has given his services to several important Italian and foreign institutions and has worked for several renowned composers. He has published various scientific works, CD and SACD and held conferences in the field of sound and music computing,  and he is working on the scientific potentials in composition and execution of music offered by informatic means and multimodal systems.

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It has the ambitious goal to link the best strings students (tomorrow’s performers) to some of the best soloists and teachers in Europe. The name “Concert” is referred to the fact that throughout the courses some concerts will be organized where teachers and students will perform together. A unique opportunity for young musicians to grow and gain experience.

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Ariadne Daskalakis is a unique performer of both baroque and modern violin. In her teaching she shares her vast range of repertoire and experience as soloist, chamber musician and orchestral leader.

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The Russian cellist Leonid Gorokhov is the only Russian cellist to be awarded the Grand Prix and the First Prize of the Geneva Concours (1986). In 1995 the European Association for Encouragement of the Arts awarded the Cultural Achievement Prize to Leonid Gorokhov for exceptional talent and outstanding artistic accomplishment. He is Artistic Director of String Concert Academy 2019

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Anthony Spiri is one of the most versatile and highly-regarded among today’s lied accompanists, chamber music pianists and solists. Born in the USA, he studied in Cleveland and Boston until a grant enabled him to continue his training in Europe. He obtained his diploma with special distinction from the “Mozarteum” in Salzburg.

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Alessandro Tardino was born in 1987. Following his parents’ into a life of music, he began his musical studies at the Conservatory of Frosinone with the flautist Pietro Romano, and the pianist Cecilia De Dominicis. At fifteen he received full marks in both instruments for his high school diploma and gave his debut in the orchestra, both as a flautist and as solo pianist – performing the Andante Spianato and Grande Polonaise Brillante Chopin. In 2006 he graduated in piano with honors, receiving full marks and an honorable mention. He was awarded the prize for the best graduate of the year for the Lazio Region by the “Associazione Concertistica Romana”.

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International Late Medieval and Renaissance Course – 2019 topic “The Music of the Malatestas: Du Fay and his contemporaries”. Open to singers and instrumentalists.

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Theory, Performance practice, Portative organ. After receiving the master diplomas on piano, medieval and renaissance keyboards, and studying with Dr. Mauricio Molina, Cristina decided to combine her passion for teaching with a performance career (ensembles Magister Petrus, Carmina Harmonica, Hamelin Consort, Le Souvenir, among others) and with musicological research.

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David Fallows (b. 1945 in Buxton) studied at Jesus College, Cambridge (B.A., 1967), King’s College, London (M.Mus., 1968), and the University of California at Berkeley (Ph.D., 1977). From 1976 until his retirement in 2010 he taught at the University of Manchester.

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Monica Boschetti (Opera Singer, Pianist), in addition to her piano studies, worked as a composer; after her diploma she became passionate about singing opera, becoming her first expression of art in music. Always committed to social issues, she has found in the promotion of music and teaching a true vocation.

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Giovanni Cantarini ha compiuto la sua formazione musicale presso la Schola Cantorum Basiliensis, dove ha studiato con i maestri Dominique Vellard e Gerd Türk. Il suo repertorio spazia dalla monodia medievale all’oratorio barocco, privilegiando tutti i generi e le epoche dove la musica è essenzialmente legata alla poesia, in questo modo coniugando al canto la sua primiera formazione umanistica (laurea in lettere antiche all’università di Bologna e baccellierato presso la Pontificia Università Gregoriana).

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Totally dedicated to the Guitar’s world, it is held by academics, soloists, publications’ writers who study different aspects of the six strings world. Frontal lessons, seminars, concerts. 3rd edition.

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His communicative talents led him to present various musical events. He has held summer courses and has been often invited to take part as a member of the jury of prestigious guitar competitions. Several of his recordings have received public and critical acclaim. Francesco Biraghi teaches guitar at the “Giuseppe Verdi” Conservatory of Milan.

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His performing career takes him to more than fifty countries in all five continents, working with prestigious Institutes and Festivals. Andrés Segovia wrote of him : “He will soon be a famous name among the best guitarists of our time”.

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Andrea De Vitis is one of those interprets who conquer audience and jury thanks to the high definition sharpness of his way of playing, to the extraordinary control of dynamics and agogic and to the clarity with which he asserts his thought, whilst also translating the thought of the Author. (Il Fronimo, 2016).

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Fra le figure di concertisti di chitarra che si sono imposte nell’ultimo trentennio all’attenzione internazionale, Frédéric Zigante si è guadagnato una posizione di primo piano, per una attività poliedrica, che coniuga ricerca, concertismo, impegno discografico e didattico, lontano dai luoghi comuni attribuiti alla chitarra.

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Totally dedicated to the Accordion’s world, it is held by academics and internationally renowned soloists. Frontal lessons, seminars, concerts.

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Accordion Concert Academy with Sergio Scappini, accordion and electronic accordion. Titolare della prima cattedra di fisarmonica in Italia, presso il conservatorio ‘Gioachino Rossini’ di Pesaro, attualmente è ordinario presso il conservatorio ‘Giuseppe Verdi’ di Milano.

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Emanuele Rastelli, born in S.Marino in 1968, starts playing music when four years old and he soon shows a great natural. He has dedicated himself to various music styles: Jazz, Swing, Musette, Tango, brasilian music etc., each of them arranged according to his personal style and enriched with variations and improvisations. 

In the last years, thanks to his creative and inspired compositions, Emanuele Rastelli has gained esteem and appreciation by music critics all over the world.

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Open to different expressive languages of our time.

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Born (in 1950) and educated in Rome, since about forty years Franco Piersanti is one of the most original voices in the Italian and European milieau of applied music (cinema, theatre, television). Curious and consistent author, able to show a sharp irony and a Stravinskij-style angularity as well as to melt into a measured, melancholic and disarminglyricism, a personal and evocative language makes Piersanti stand out, with halftones, composing refinements and timbre suggestions which on one side show the (praised) legacy of the historical twentieth century and on the other draw on the broad heritage of Mediterranean music.

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Individual courses with our teachers including singing & instruments. Open to everybody.

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Besides teaching at the conservatoire ‘G. B. Martini’ of Bologna, Stefano Malferrari held courses and conference-concerts for several Italian musical institutions. Lessons are divided in two periods of one week each.

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The Piano: learning, concert, competition, recording, exam. Andrea Padova first achieved critical attention when he won the “J.S. Bach International Piano Competition” in 1995. Since then has concertized throughout the world in the most known theaters.

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Sopran, is Professor at Milan ” G. Verdi” Conservatory. She boats a very wide opera and concert repertoire that includes traditional characters (Violetta, Manon, Susanna) and lesser-known works. She has staged numerous contemporany music performances of he works of renowned composers and is perfectly acquainted with the lieder repertoire performed alongside leading pianists such as A. Ballista, M. Damerini, M. Delli Ponti.

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Internationally known in young age, he has performed over 3000 concerts worldwide as pianist-soloist and conductor of an orchestra and in various chamber ensembles, often collaborating with the most famous artists.

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Besides teaching at the conservatoire ‘G. B. Martini’ of Bologna, Stefano Malferrari held courses and conference-concerts for several Italian musical institutions. Lessons are divided in two periods of one week each.

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His concert performances has taken him to numerous important cities in Italy and abroad with a special interest in using and promoting the rich patrimony of historical instruments.

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Marcello Mazzoni was born in Reggio Emilia and started his piano studies in the local musical institute “Achille Peri”. He has given concerts as a soloist with orchestras in the most renowned concert halls and festivals and frequently plays as a soloist with renowned ensembles.

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Sopran, is Professor at Milan ” G. Verdi” Conservatory. She boats a very wide opera and concert repertoire that includes traditional characters (Violetta, Manon, Susanna) and lesser-known works. She has staged numerous contemporany music performances of he works of renowned composers and is perfectly acquainted with the lieder repertoire performed alongside leading pianists such as A. Ballista, M. Damerini, M. Delli Ponti.

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Considered one of the most interesting and complete talents of his generation, much appreciated by specialized magazines; the American Percussive Notes defines him, in a review of his CD’s, one of the most interesting interpreters and exponents of the marimba world scene, defining the recordings “catalysing”, attentive to stylistic details and with a clear historical-philological vision demonstrated by few interpreters.

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